Massimo Benucci imprime di sé quel che dipinge. Interno verso esterno: l'affronto diretto con la realtà avviene nello spazio sottile che separa autore e superficie, dove la coscienza si scontra con la materia viva del presente. Uno scontro sanguigno, drammatico, violento, esorcizzato the plan of action. The outcome of the game is before our eyes, there is support for the encounter with the ghosts of their communication which repeat the same message, clear and sharp, as is the faint outline of the image that paints them.
Maximus is up to their ears to the problem of reality, the skin feels the weight of those who are in a different position in society, alienation, diversity, rejection of those who break the ranks of conformism and pay for this duty, Christ as a martyr ... but victorious. If these are the protagonists, his works have addressed the hypocrisy of thought common curses and the message is still evidence of a tragic human condition, always different ... the same.
must do justice to any intellectualism seems to yell Massimo, find the rudeness and embarrassment, but also the profound spirituality of the natural and raw materials make up till their thickness does not give off a spark, a truth, which becomes weak but pure light. To turn it on is the physical weight of media consumed, colors slipped and needed image from the wretchedness which frees the rhythm of a transcendence that does not stop beating. In this regard, the technique works by Massimo is a metaphor for poetry.
The art of this exhibition materializes a state of conscious but irredeemable negativity of modern existence, but the ghosts do not stop speaking, is a subtle pleasure to hear ... as taught GCArgan, "if the sublimation maybe just drinking to the dregs the cup of despair, the invective is prayer."
Maximus is up to their ears to the problem of reality, the skin feels the weight of those who are in a different position in society, alienation, diversity, rejection of those who break the ranks of conformism and pay for this duty, Christ as a martyr ... but victorious. If these are the protagonists, his works have addressed the hypocrisy of thought common curses and the message is still evidence of a tragic human condition, always different ... the same.
must do justice to any intellectualism seems to yell Massimo, find the rudeness and embarrassment, but also the profound spirituality of the natural and raw materials make up till their thickness does not give off a spark, a truth, which becomes weak but pure light. To turn it on is the physical weight of media consumed, colors slipped and needed image from the wretchedness which frees the rhythm of a transcendence that does not stop beating. In this regard, the technique works by Massimo is a metaphor for poetry.
The art of this exhibition materializes a state of conscious but irredeemable negativity of modern existence, but the ghosts do not stop speaking, is a subtle pleasure to hear ... as taught GCArgan, "if the sublimation maybe just drinking to the dregs the cup of despair, the invective is prayer."
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