Thursday, February 28, 2008

Preparation H Wrap For Fat Loss

Gregory Crewdson ... Lynch's eye!








Gegory Crewdson, "Untitled . From the series "Twilight", 1998-2002
Courtesy of the artists and Luhring Augustine, New York



"Untitled / Untitled" ... There is a photos have the title.

When Gregory Crewdson, angry teenager in Brooklyn, an aspiring musician, with a suitcase full of dreams of rock 'n roll founded the band "The Speedies " would never have imagined that the song "Let Me Take Your Photo "was prophetic about what he would become in his life.

After a journey through original and imaginative re-discovery of the works of Stanley Kubrick abstract expression of Mark Rothko, the Palazzo delle Esposizioni, the area of \u200b\u200bculture and ideas proposed by the photographic exhibition of the American who wanted to become a rock star (from 19 December 2007-2 March 2008).

A non-stop journey that propels us through his photos in suburban seasoned with references to films and legends of Hollywood: the Hollywood productions (often accurate indicator of the emotional state of the country), and movies David Lynch and Steven Spielberg have impacted particularly on his work.

His images have something special. Looking at them, fact you have the feeling of watching a scene from a movie, with the difference that we can see what will be the only frame you'll see. Il fotogramma di un mondo apparentemente idilliaco come in un sogno cinematografico inquietante, pervaso di oscurità e mistero. Sulla scia del saggio sul perturbante di Freud (“Das Unheimliche”), Crewdson riesce a creare mondi fotografici complessi e particolareggiati, in cui l'iconografia del paesaggio e dell'America suburbana appaiono come metafore delle nevrosi, delle ansie e dei desideri del fotografo stesso, specchi di una società intenta a confrontarsi con gli abissi della propria coscienza collettiva. Una società ipnotizzata, alienata da se stessa quanto dalla fragile realtà in cui si aggira come sonnambula.

Saturday, February 23, 2008

Connections On A Bolsa Wood Bridge

TIM BURTON-ON A SURVEY OF THE DIRECTOR above suspicion

Di Luca Imperiale

There are authors who, finding great inspiration in their universe and unassailable from the outside, build paths that unusual always leads, even when changing the place, time and space of the narrative, the original suggestion that triggered them.

the genius of Tim Burton, his hyperbolic dream world mad with melancholy vocals and vibrant imagination, we can find traces in the two courts - one in fact is a medium-length film - who have captured the attention of the magical world of cinema: Vincent and Frankenweenie . Two little gems that differ in duration (the first five, the second twenty-five minutes) and technique of visual storytelling, but who find commonality in summarizing the reasons for the imaginative and literary poetics of film director in California. Vincent is the father of all the wonderful, bittersweet, almost titanic characters burtoniani, ideally one who begins to carry with them the seeds that have fueled the blossoming of Edward , from the young Scissorhands. Edward is the story of those feelings that end up being destroyed, after too many wounds to those souls who may have not only something human, and men must flee in order to breathe and be in solitude, and there create;

Tim Burton is a director of extraordinary sensitivity to the "different": a wish to establish a parallel with an Italian artist, the correspondence can be recognized in the truest spirit of the works of Tiziano Sclavi, creator Dylan Dog. Naturally and happily inclined to the Gothic, are artists able to perceive, recognize and represent the poetry and the sweetness of the "monster".

So the film "Above Suspicion" Over the years, like a modern Peter Pan took us by the hand and led us in his Neverland : that part by surreal, wild and extravagant "Beetlejuice," Spectral comedy in which the ghosts are up to having guests to "Corpse Bride" film that verges heights of poetry and enchantment are difficult to overcome. A magnificent story, bittersweet and melancholy, as befits the great director, declined in a timeless and donated to the public through plasticine characters embodying real actors.

It 's like, as I wrote months ago at the Golden Lion for Lifetime Achievement won in Venice, this dark punk brilliant and lucky, take the hand of the spectator and renew a promise ring something like this: "With this hand your worries dissipate. Your cup will never empty, because I'll be your wine. With this candle will illuminate your way in darkness. With this ring I ask you to be mine. " We can only say that it was hoped, fervently, che questo amore vero non abbia mai fine.