Princess Gwenevere And The Jewel Riders Watch

Subsidiarity: keywords CL

As I got to tell ( here) in this society Thinking, was released book Ferruccio Pinotti "The Lobby of God," the first book on investigation and Communion release and the Company of Works.

Santa has read my letter, and well he thought it was the case I read up about it, so I have found under the tree volume, purchased strictly from Feltrinelli.

I have not read the headlines, but right now the two key words to describe and understand the world and CL are moral subsidiarity, which is otherwise perfectly returned with certain behaviors of my fellow neighbors to move.

" I do not care that the Premier is a mafia or a mason ," he said from the teeth out a colleague with whom one day we were discussing the concept of prime minister, "if he does well his work and good ideas for me okay. " Clearly, this idea è profondamente sbagliata, perché getta completamente in secondo piano la questione morale ed il fatto che un determinato comportamento sia giusto o sbagliato; è però perfettamente coerente con il totale superamento, per l'appunto, della morale nel movimento ciellino, così come ben documentato da Pinotti. Quest'ultimo cita alcuni passi di un articolo di Gad Lerner, apparso su Repubblica il 28 Agosto 2010 ed incentrato sul Meeting di Rimini, dal titolo " La crociata di CL contro il moralisti ", proprio sulla questione morale internamente a CL. 

Il secondo concetto fondante è sussidirietà , cioè l'affidamento della gestione di servizi sociali (e non) institutional levels to increasingly close to the public, or private. In this mechanism, the State delegates to the regions, which delegate to the provinces, which delegate to municipalities: the state ultimately does not provide services (as in its structure type INPS, to make a name), but helps to ensure aid to a network with deeply rooted in the territory. This cascade mechanism in CL has put his entrepreneurial strength, thanks mainly to the fact that over the years has managed to set up his men in key roles for different levels of this pyramid. From the European Parliament (Mario Mauro, chairman of the Members of the PDL in the European Parliament), Government (Wolves is perhaps the most clear and obvious reference) and the Presidents di Regione (Formigoni su tutti), ai Sindaci (per esempio, qui a Padova, Flavio Zanonato), dai Banchieri (Corrado Passera, amministratore delegato di Intesa Sanpaolo), alle cooperative (ahimè la COOP, con Vincenzo Tassinari suo Presidente per l'Italia). Questo per citare solo alcuni nomi, che compaiono nelle pagine di Pinotti. 

Da queste poche righe, si può già intuire come la struttura ciellina (sia organizzativa interna che come presenza sul territorio), sia tale da consentire un sistema di deleghe e, per l'appunto, sussidiarietà ad imprese amiche, a persone fidate, e società vicine al movimento, in quasi ogni ambito della vita civile. Certo questo non accade dappertutto, e forse l'esempio clearer and more striking is the Region of Lombardy, where Formigoni has built his empire on this basis. To cite

Pinotti " in Lombardy, for example, does not privatize the nationalized public but private, centralizing control " ("The Lobby of God ', p. 30)..

Greetings

Brazil Bleckpinky To Work

year-end accounts

Like everyone, I too would like to make two accounts summarizing the last year before doing his best wishes to all those brave who, from time to time, I do visit and read what I write.

In a couple of weeks my daughter and I will take a year, increasingly, I wonder about that the world I'm leaving behind. I speak not only of the political crisis, energy industries or the economic-financial, and these are things which, alas, I do not think you can affect that much, as they are tied to projects and decisions that are made above my head. I think instead pollution, what all of us, day after day, we download on our environment and therefore, on balance, on future generations. I know it sounds repetitive speech, and it probably is, in short, I have no ambitions to write new things on the theme or truth and propose solutions, but I just want to bring my experience, because I believe that change can and should begin by our education and our daily behavior.

As a new father, like any new dad, I found myself having to do with my daughter's diapers. As all parents know fairly well in the first year of life a child uses about eight diapers per day, at least in the early months, to five or six years to the life (at least that's what I see with Maja) . We, as I've got to bring companies Thinking about this, we are often entrusted to cloth diapers. For several months now while we used only those, either because the production increases with age, either for the holidays, we often come back to disposables.

On a year of life, I can say I have used cloth diapers on average three or four a day, which roughly corresponds to 50% of the total. Of course this is only a qualitative reasoning, are not so sick myself pinned, day after day, the precise consumption of diapers, but I can still make the idea.

on 365 days in total, then, about 180 were completely covered with cloth diapers: diapers with an average daily consumption of about five or six, this corresponds to roughly a thousand disposable diapers that are not finished environment.

Now, I understand that for those children not familiar with these numbers we may have little meaning, but a thousand diapers in less around the world I think a significant number for a single household, especially if we think of what might emerge if more people were engaged in this practice.

Another direct example is the way that I will return that I use to go to work most days except for hail, heavy rain or snow I'm talking about my bike.

My bike is 2003, and is a Euro 1 against the law for motorcycles, which means it probably pollutes more than a modern car Euro 4 and Euro 5, at least in absolute terms. But what the politicians and people often do not realize is that even the use of an old Yes Piaggio comporta un periodo di permanenza nel traffico cittadino (specialmente nelle ore di punta, che è il momento in cui tutti o quasi andiamo al lavoro o torniamo a casa), decisamente inferiore rispetto ad un'automobile, spesso inchiodata in code infinite. 

Questi sono solo due esempi di quotidianità, ma penso possano rendere l'idea di quanto ognuno di noi potrebbe fare per l'ambiente in cui vive, alla faccia dei soliti cinici, che vivono sulle spalle degli altri e, secondo i quali, nulla potrà mai cambiare.

Saluti a tutti e buon anno

Zebra Pattern Metal Core Wheels

Italy: environmental successes and failures

Vorrei rilanciare un paio di interessanti notizie lette sull'ultimo numero di " Internazionale ", e relative all'ambiente ed all'inquinamento italiano.
Il primo articolo, a firma di Gerhard Mumelter (corrispondente del quotidiano austriaco der Standard ), ricorda che dal primo Gennaio 2011 sara' vietata la produzione industriale delle buste di plastica , e potranno essere invece prodotte solo buste biodegradabili. Certo avremo un certo intervallo di tempo, durante il quale i supermercati utilizeranno ancora i soliti sacchetti per far fuori le scorte, ma lentamente ed inesorabilmente le buste di plastica dovrebbero scomparire: un bel passo epocale, no? Considerando che l'Italia produce ogni anno circa 20 miliardi di buste , quasi European quarter of the total product, I would say yes'. In parallel, however, 'the use of plastic and' still quite common in daily practice, especially in the form of bottles of mineral water: they do out of nearly 12 billion a year.
The second article 'hand signed by Michael Braun (corresponding to the German newspaper Die Tageszeitung Berlin ), where he extolled the hidden (almost unthinkable) praise of the Italian system for the production of clean energy. In 2010, in fact, the electric power from renewable sources (wind and photovoltaics, to be precise) and installed in our country has reached an unexpected level until a few years ago, placing in pole position Green energy market along with Germany, China and the United States. The numbers speak for themselves: 5 GW (gigawatts) installed for the 2 GW wind and photovoltaics. I believe that they are targets. Considering that every family has at home, on average, a switch from 3 kW connected to the national grid, it means that more '2.3 million households enjoy electricity from renewable sources .
Of course the system and 'even better: the wind is still, unfortunately, fighting against the aesthetics of the environment, while the PV has low yields, high production costs and disposal after fifteen to twenty years' life of the panels, but nevertheless believe that this is an important signal that should be communicated and amplified.

Greetings

How To Shorten Curtains Without Sewing

How To Block Call Digital Time Warner

MAURIZIO Lamorgese
"mindset"
16.12.2010 / 16.01.2011 gallery
RAISE. Via the first princess. Rome
www.elisirart.blogspot.com


"Drawing the world is a way to investigate the structures of being, is tying his conscience with the rest of the universe, drawing is an instrument of knowledge, a kind philosophy.
The geometric shapes are the measure of that relationship, mental tools with which makes the experience of reality. Who can come to the purity of the synthesis has identified a relationship between the infinitesimal and the whole of reality, a figure that represents and is a form Space, that expression of wholeness.
But in the genesis of these drawings lies a core mysterious, enigmatic, mystical, that does not let them. As if a breath more than he had given so unstable equilibrium ready to be re-generated. Each creation has a real strength of independent living, the ability to act, beyond time and consciousness of those who gave it to light. It has active energies, and there contributes to the growth of spiritual life. The sign is the shape, the color is. The semantic content of the forms are like strings of a guitar, Maurizio Lamorgese makes them vibrate, aware of the infinite possible combinations that the meeting between interior and exterior can generate. These
designs have achieved a harmony between the emergence of the whole world and all of the self, between the infinite variety of appearances and the completeness of being. Nothing may change in these compositions without compromising its balance. And it is a balance soft, sweet, curvilinear, satisfying the ever-changing appearances. There is no break between outside and inside, the author is in the world the world is in him, I do not conquer the outside and is not conquered. E 'identity. "(G / December 2010)

Can A D & C Remove A Fibroid

at birth was all a bit more squashing ...

December 26
Sant'iGloo IV
At Christmas we are all more squashing.

But like, you, you'd say that, four years ago?
I do not. And yet. Looks a bit '. That stuff. Bulkhead.

Today I get some good speeches structured, because last night I saw 10 to 10 shooting stars and tell you I'm still a bit 'dazed.

Il primo sant’iGloo era questo qua:

Then after that we did it to Pellicano, then there must have been another in the middle, but I do not remember. But if I look nice with a spotlight, and I write: Sant'igloo 2009 ... tac! I will mail out a year ago. Indeed. Even last year at the Pelican ...

BEHOLD! Geometry! The igloo

Christmas following a pattern that is seen from above, as the crow flies, Victor Hugo. A square. Two sides in an igloo, the two sides away from home. A four-year series. And every four years is a step further, forming a chain Social (G. Leopardi) all around Correggio. Ok, crap. However, to the igloo correggesi They come rarely. So come on you. Let them see.
played by a band of Correggio and two outside the home.

The Death Of Anna Karina
great return: the new line up, new album, new shoes Fang
Cusack (MI)
first time in Correggio: new split with our pets Laser Geyser
Nurse! Nurse! Nurse! (TN)
first time in Correggio: the first time a duo of bass / drums igloo. Say little.

Aucan's had to come, but the package has arrived.
€ 5 input, consumption and erbazzone.
On this occasion we finally have the beer at km 0. And yet it breaks. Three different artisan beers Dada Correggio. Tie: http://www.birrificiodada.it/ If you want to take the
pandoro ago 'as well. If you want to bring a box of wood is' as well. Or an overdrive, a gift for Esther, the ammonium bicarbonate, a new screen for relief.
See you, do not skimp just because we do not know, is not a good excuse.

This time also we will enjoy the kind cooperation of the regaz Meme. Tie: http://www.spaziomeme.org
The flyer of this year that attack is the work of posu père, whom we thank. Tie: http://legno.wordpress.com
Let's stop here. We see, then, before this Friday, and then the 26. It will be nice?


The friendly link:
http://www.facebook.com/event.php?eid=161797057195477&ref=mf
http:// www.iglomusic.blogspot.com / http://www.myspace.com/igloocollective
capra@gazebopenguins.com / igloocollective@gmail.com
3405702119 / 3395211519
always smaller
as great?

Tiffany Towers Stream

Paolo Minelli
JUST MARILYN. tribute to Marilyn Monroe

by ELISIRart


Gallery RAISE. Via the first princess.
Rome on November 26. December 8, 2010

opening Friday, November 26, 19:00


http://www.paolaminello.it/
http://www.elisirart.blogspot.com/

"There is a space outside of time thinking of a historicizing in which things, people, events are estranged from their meaning can result. There is a dimension in which signs and gestures take on meanings autonomous unpredictable, so abhorred by the dominant ideological patterns which, by definition, require meanings recognizable. There is, in other words, a private and spiritual dimension of art that escapes predetermined guesses without losing any of its constituent dignity. E 'in Show from 26 November to 8 December in Rome a statement of research "Homage to Marilyn Monroe" by Paola Minello.
The sign of Marilyn art belongs to the unconscious in artistic culture of the pseudo mass, which brings us back to a time machine alienating the 60's Pop Art, collage dada to the components present in the first manifestations of this. And again, the dynamics of the signs background conjures up the informal gesture. But Paul Minello is far away from these noises. The events are not made of earthly form only in the sense mechanistic. Paola
That is not the icon Marilyn reported in commercial art, it is the essence that remains after these overcrowded breeding operations, a more emotional way of a clear sense of femininity. These visual signs are intimate, not collective. Personal Art, you might say. Removed pulses to record a consumer society, placated critics charge or commitment to change, everything remains the "inside" to be investigated. The mix of Paolo Minelli is induced by inner motivations. The background is not decoration, the demiurge who creates ritual is one example: it is emotional connotation of the icon, the features, enhances a well-known expression, like his shadow remote, a fate again to confirm him. There is first of Marilyn, as the context is first of all, agent of the subject, a form of thought is not in play a scale, the movement of the sign is born with the body, but only after you know. These icons are at the center of a universe in place in evolution, that was waiting. Quell 'universe speaks of them, almost expressionistic way. The figure is a sign that distorts the impression he becomes the protagonist: these are the accents that make the difference. The game research of the subject is objectified is astonishing feature of the work of Paola, challenge the viewer and signature of the author. You get lost in his own universe, but only to find himself. "
g
Paola Minello (www.paolaminello.it) è prima di tutto musicista. Nasce a Roma, frequenta il conservatorio e da allora sono tante le esperienze artistiche nel settore, e tutte di alto livello: musical, spettacoli e collaborazioni con celebri direttori d'orchestra e artisti internazionali.
Da qualche anno c'è anche la pittura, a fianco della musica. Il suo sguardo in arte è accompagnato per un certo periodo dalla mediazione del compagno, indiscusso esponente dell'arte contemporanea. Ma Paola inizia a dipingere e cammina da sola. Nel Marzo 2008, a Cagliari, la prima personale “Infinito Pop”. Da allora, la sua strada d'autore è tutta in divenire.

Laboratory 1 Diffusion And Osmosis Answers

KOSAKAOS . dis harmonies in art

collettiva di arti visive

a cura di ELISIRart
19 novembre . 19 dicembre 2010
FONDERIA DELLE ARTI . Via Assisi 31 . ROMA

INAUGURAZIONE VENERDI' 19 NOVEMBRE, ORE 18.30
ORE 20.00 : "DEMENTIA" . performance musicale di JOHN B. ARNOLD


Dal catalogo della Mostra: "...Il tempo scorre in una sola direzione, in avanti. L'esperienza della realtà è accompagnata da un segno comune: la nostra coscienza registra in continuazione la variazione di energia che avviene nel mondo attorno a noi. Vediamo il nostro corpo invecchiare, la polvere accumularsi, gli altri morire e le braci roventi diventare cenere fredda. There is harmony of this becoming. But the century old mindset that we persist to wear continues to give us the illusion that the human dimension is a process free from the laws of nature, the earthly history as a passage from disorder to a perfect presentation made on future orders. The perfection of the "form" is still a substantial value, yet something does not: the world is falling apart and the efforts to press into the reality makes them obsolete ideological trabboccare containers of waste as a reaction, we are in and we continue to press. It would be enough to lift the veil surrounding the mystical anthropocentric thinking to realize that any reaction that concerns us is the transformation of the natural world. When the whole world begins to crack and crumble, in the case of reflecting on how it was conceived and organized then, because therein lies the core of understanding. In this sense the chaos of today is fruitful, it needs to expand because of the failure of 'Western man order deemed to have been unavoidable, as the gears of a lethal machine. Art has long been accepted, perhaps first of all, the situation and tried, as his vocation, to give it a shape, an order of interpretation. The theme of the exhibition is the artists' reaction to provocation in front of the case, dell'indistinto, likely, the wide range of values, the reaction of contemporary sensibility in response to suggestions raised by the scientific, mathematical, philosophical, preceded by a vision of a human world that seems to burlesque design its end. You do not want to explain anything here, because accepting and trying to dominate the ambiguity of our times do not mean to imprison an order that is foreign, rather than reiterate and illustrate the need to develop an awareness and help in this regard, can come from art. Those who communicate the results to follow are ways to see and treat a human universe, interior and social, in which the traditional patterns were shattered, while new opportunities are emerging with difficulty that call into play the relationship, not reject them, the assumptions of past cultures. From this point of view, in the following pages we find more statements about our relationships in life that can test any speculation. Guess the reality is a way to understand it. As a mirror of this, art can still help the world, after all, is going towards something ... "eg/11.2010

Does Fuze Slenderize Work

PRESS


KOSAKAOS. dis harmonies in art


collective visual arts

ELISIRart
by November 19.
December 19, 2010 ARTS FOUNDRY. Via Assisi 31. ROME

OPENING FRIDAY 'November 19,
18.30 20.00: "Dementia". musical performance by John B. ARNOLD


GLIARTISTI

Fernanda Andrea Cabello / Bernabei Filippo / Paul Buzi / Daniele Camaioni /
Frank Ciavarella / Giulio De Mitri / Giacomo di Castri /
Edith Dzieduszycka / Marco Filippozzi / Luigi Filograno / Annalisa Guerri /
Lanni Franca / Daniela Leghissa / Ruggero Maggi / Nani Marcucci Pinoli /
Michele Pisicchio / Andy Salzman / Maria Savino / Sergio Trevisan /
Barbara Vistarini


Catalogo disponibile in Mostra

http://www.fonderiadellearti.com/
http://www.elisirart.blogspot.com/

L A M O S T R A
Il Caos globalizzato, connotazione dell'oggi, segna anche i linguaggi dell'arte. Impossibile prescinderne,
per comprenderli: la disamornia del nostro tempo e l'arte, contenitore del presente, che la rivela in trasparenza.
The discontinuity of the phenomena has definitely put in crisis the illusion of a 'complete and unified image of reality. Along with traditional security lapse and vibrate fruitful centrifugal forces. The field of interpretive possibilities is endless, the proliferation of conflicts and oppositions are the result: a 'diversity that nourishes our civilization as precious value, because all the facts of global culture lead us to conceive and therefore see the world in the category opportunities. Thus, the grids of interpretation with which it is customary to reverse the arts, and their context, are partially lost: flock reviews of denial to expressions that can not be understood by applying historicized ideology, or it is limited to definitions that frame, without understanding. But there is really the core of understanding? In this disorder due under the grid structures of thought that belong to times gone? Now we know that Chaos is not indecipherable, is the secret order underlying everything that does not appear because it is beyond the visible, cause and effect of universal and individual reasons, as a form of absolute, timeless is immanent.
The exhibition will attempt to illustrate the harmony underlying any external dis.armonia and, conversely, that the universe contains any apparent calm, in the space of expression of each author and the interaction of form-content-language, of artistic, diverse and distant, but intrinsic to the present. Opportunity to reflect on a theme in art and its spiritual and physical life of each and everyone, no longer ignore.


LALOCATION
The Foundry Arts (www.fonderiadellearti.com), which hosted the event, is the best container possible. Building housed in an old metal foundry, renovated and transformed into a multipurpose cultural and artistic education. Interactive space, is illustrative of the contemporary art itself. The artistic project of Maurizio Boco and Giampiero Ingrassia, arose with the aim of concentrating on the same edge music, theater, and visual arts, has become a reference point for culture and not just the Capitoline. Serie trade publications, newspapers and television, critics and observers, have already committed widespread recognition.


LAPERFORMANCEMUSICALE
"dementia". JOHN B. ARNOLD. Battery

John B. Arnold is a musician of international standing. Born in New York City, worked for years as a drummer, programmer and composer, now in his fifth solo album.
grandson of the great American composer Hoagy Carmichael, John has several collaborations and recordings with the names most 'American jazz greats including: Greg Osby, John Abercrombie, John Pattitucci, Larry Goldings, David Binney, to name a few.
has published records and electronic projects in collaboration with musicians of the supreme level, participated in international festivals, while continuing to teach in Rome, New York and Berlin. Here
propose the project, alone, insane. With the use of keyboards and thousands of loops created by him, the performance is based on the use of television and advertising themes of the era, but picked up and distorted to the point of no recognition. These sequencers and drum machine, will be the basis for the live performance .. Sound waves, twisted voices, "noise" abstract and electronic rhythms, will accompany the theme of the exhibition in the territory of the best contemporary music.

Dish Network Hd Signal On Tv2

COMUNICATO STAMPA

MARGHERITA CALZONI
“LA GIOIA E' LA MATERIA IN MOVIMENTO!”

a cura di ELISIRart
in collaborazione con Jelmoni Studio Gallery

Galleria RILIEVI . Via della Reginella 1a . Roma
dal 6 al 17 novembre 2010

www.elisirart.blogspot.com
www.margheritacalzoni.it

Margherita Calzoni è nata a Bologna nel 1983. Sin da bambina asseconda la grande passione della pittura, che negli anni nutre con studio ed esperienza. Dal 2003 partecipa numerous personal and collective exhibitions and events, publishing articles in catalogs and magazines.

Rome presents a summary of the most recent production, works in which the expression is necessary, urgent, cheerfully bossy, is the result of the inner need of manipulation of the material world of concrete, which is awareness, interpretation of reality , the meaning of things, this movement from outside to inside, is the principal agent of the creative young artist, said, screamed, also revealed in words. And understanding does not lie in giving a global order of appearance static, but in giving a sense of being the fragment of the universe, the universe itself, which is the space of the canvas. There is no place for cultural fearful masks in the works of Margaret, a clear research in motion is the beginning and "end" of each job.

"The matter is not cold and expressionless, the artist may make it come alive, responsive, interested in the human sphere. Forge Matter according to my emotions, I do not let me She governments: I stop thinking about my ideas, problems, feelings and seeking the object that can carry them on canvas. Paper, plaster, metal? From the most humble to the best materials together with me, we are a team! I am also a curious person and a perfectionist, always seeking something new and better me, do not ever hesitate to make the material more "strange" and to use it. Do not think that my paintings, maybe not easy to read, there are compounds with a basic idea: a passion for painting and the subject pushed me every day and trying to create. Life is a path composed of curiosity, passion and research, and my hope will be entirely so! I think the man should be the focus of art: So what are the best of ideas, feelings, fears the man at the center of my paintings! Emerge from this soul searching my work. They are like an explosive material, ready to explode, pouring out an ocean of creativity. All I want is to paint, will never be hard for me: the joy is matter in motion! " MC

Frustration Rummy Rounds

PRESS

Edith Dzieduszycka, French by birth, lives in Italy for many years, since 1979 is in Rome where he is active in the field of art and poetry, with numerous solo and group exhibitions in Italy and abroad, and various publications. The retrospective
Roman houses thirty fotocollages on tablets of vertical format, performed by the author in recent years. They are part of an extensive collection once a speculative pursuit of detail, the representation of trivial matters, neglected, worn for extract the hidden soul, beauty, discreet and humble.
www.edithdz.com
www.elisirart.blogspot.com

FRAGMENT
fotocollages EDITH DZIEDUSZYCKA
Gallery of Reliefs. Via the first princess. Rome
13 to 24 October 2010 Wednesday, October 13
vernissage, 18.30

From the catalog: "... The attention to detail photographed as enlargement of the overall vision, and one dear to the Dutch school the "Pencil of Nature" by Talbot, is only the first step of the investigation. In the work presented here the materials that give structure to the apparent reality, paper plastic fabric metal wood, gather as objet trouvé a collection of memory, geometry secret expand beyond the visible. The photograph becomes a collage. The photograph of the collage becomes not apparent. Therefore, not imitation of nature, but lacerating redialing a secret order. The de-composition of matter creates abstract images, full of plastic and lighting effects. Suddenly, objects comprehensible to the eye, blatantly trivial, seem to be leaking abstractions themselves. The technique of collage is placed at the beginning of the twentieth century as an instrument of a revolution, Cubism and Dadaism in particular used it to raise awareness of fragmentation. Edith now includes material that chaos is a force of nature, but that man can yet unfinished process such information creatively. If the world is fragmented, we have to draw on to understand what it takes to give a livable form, and this form is an interpretation of reality, ever invented, is so chaotic that the materiality, exacerbated in detail, comes together in a whirlwind of harmony. The attention to the composition of mass and color is masterful, witnessed a successful revival. The static field is driven by a gust of memory, the corrugated metal sheets and a burst of intense light on the card generate life. But the atmosphere is dense and concentrated. Labile tongues of fire become tangible matter. Appearances storms take shape, solidify in una dimensione assoluta del pieno. (…) Non c'è alcuna concessione al caso in questa ricomposizione del mondo. E' uno scavare nei valori formali e cromatici dell'immagine per ri-creare un universo autoriale di concreta astrazione. Dal caos del quotidiano, giungiamo con la manipolazione dell'apparente tangibile ad aleborare un'alchimia di Verità: l'entropia della materia lacerata è rinascita nel mondo nell'astrazione.” e.g. /maggio 2010

Does Leimo Hair Laser Work

COMUNICATO STAMPA

ANGELO PETRUCCI
“L'intervallo ritrovato”
Galleria RILIEVI. via the first princess.
Rome from September 28 to October 12, 2010


on display in Rome an extract of the last two years of production Angelo Petrucci, author Tuscan academic training, which made a distinctive human intellectual inquiry and the reason of a coherent decades of artistic exploration, but never equal to itself, the ancient language of painting and the universal theme of the body in space, in the vision of a contemporary artist who is not afraid of the history and technique of a doorway.

From the catalog: "... The body?: Life is made of the same material making up the universe. As part of the whole fragment is faceless, nameless, subtracted identity and time that produced it. The body is part of the riddle behind the unsolved mystery of life and that also involves the space that permeates. (...) Res humana and attendance are essential in the author's works, but in this revival of molecules of universality is given nothing to chance: everything, like a puzzle ready to self-resolve, it has a reason to be in that place , of that time suspended. (...) The whole theme of forces is readable by virtue of the delicate balance between visual dimensions, distances, directions, curvatures, volumes. Each element has an appropriate form with respect to each other, thereby providing a final order in which tutte le forze componenti si contengono a vicenda, nessuna di esse può imporre alcun mutamento nell'interrelazione. Il gioco di forze si trova in quiete apparente. Ma il corpo rimane l'elemento propulsivo, vitale, che rompe la permanenza, che è motore di cambiamento; in questo senso, è la chiave di volta di queste composizioni. (…) Il corpo di Petrucci è sintetizzato, generato dall'espressività gestuale ed emozionale di sè stesso. E' tridimensione dipinta, vitale sensualità potenziata dalla memoria, che sublima il reale, lo rende simbolico. Il corpo, dunque, come forma simbolica, richiede una conoscenza che implica volontario avvicinamento, ricerca perseguita, lenta penetrazione: è quella praticata by the author, is repeated at each renewal the viewer. (...) Looking at the entire production of Petrucci, affects the coherence of research, indeed seem to clarify and refine the process over time. Next to a proceeding from simplicity to complexity of the study, there is a progress from confusion to order in the awareness survey. (...) Petrucci's paintings are depictions of puzzles to decipher, evaluate the realization of a vision of the reality, which requires the detail in the context of this metamorphic and we reveal the burning of a contemporary observer who took the unit of entropy of the world and all its inscrutable solution ... "/ g in July 2010

What Brands Are Metallic Dye

ELISIRart has

STEFANO IOANNUCCI PHOTOGRAPHER

Gallery Transcriptions. first because of the princess. Rome

13 to 27 September 2010

Matlab 2007a Plp Number

TO REFLECT - BERLIN

TO REFLECT
by Jelmoni
Studio Gallery in collaboration with J & J creative workshop and ELISIRart

CoachingCulture Gallery
Werbellinstrasse, 50


Berlin from September 4 to September 24, 2010
opening on September 4, 20.00

Participating Artists: Gianluigi
Alberio, Mario Artioli Tavani, Roberto Ascoli, Franco Barrese, Paolo Buzi, Queen Of Attanasio, Inihccor, Malia Giulia Marchi, Dwarf Pine Marcucci, Federico Martin Stella, Gualdo Rocco, Marco Roversi, Paolo Rossetto, Maria Savino, Tiziana Vecchi, Stefano Visor. Govi

writes Elisa: "We live in a disharmonious time, globalization pervades the art system which in turn has always been immune to the definitions provided, the 'collective unconscious of epochs of different places lo ha di volta in volta reinventato, e ambizioni universali ed artisti locali continuano a tessere trame di un presente non concluso. Dal decadere di tradizionali certezze e dal vibrare di feconde forze centrifughe, si appresta una ennesima definizione, globalizzata, di pensiero, percezione, di rappresentazione del mondo. E nel mentre? In questo black out spazio-temporale di indefinitezza culturale, dove la discontinuità dei fenomeni ha messo definitivamente in crisi la possibilità di una immagine unitaria e assoluta, l'arte si limita a suggerire un modo di vedere il presente e, vedendolo, acccettarlo, integrarlo alla propria sensibilità. L'arte contemporanea, insomma, è riflesso carpito dalla realtà; non la racconta, la è, still far from trying to understand it. Hence, the implication of a range of interpretive possibilities endless,
the 'inexhaustible proliferation of conflicts and opposition to any renewed look, a heterogeneity that our civilization should be pursued as a valuable asset, because all the facts of global culture lead us to conceive, feel, and therefore see the world in the category of possibility.

The Show "To Reflect", which comes to life in Berlin, the heart of contemporary European, 4 to 24 September 2010, hosting 17 international authors, representatives of different languages, in turn, will therefore be an opportunity for reflection current status, del mondo e dell'arte, non rappresentato ma specchiato, nel delicato territorio di incontro tra artista-curatore e contesto: gli spazi della Coaching Culture Gallery, antica birreria dove i segni del tempo paiono assecondare la nostra visione di un contamporaneo dell'arte in evoluzione” e.g./agosto 2010

Physically Strong Wives

Angelo Petrucci, the body as a symbolic form

Il corpo e il mondo che lo ospita, le cose e il corpo che le contiene, dipinti; raro oggi non riconoscere, pur tra le pieghe di uno studio d'autore, le impronta troppo forti di percorsi novecenteschi già tracciati e spesso risolti. C'era un tempo nel quale il corpo dipinto restituiva al suo creatore la misura di un rapporto tra il sé, l'altro da sé e la storia of all art in the making. Today, the figure re-creates seems powerless to represent more than all'annoiato follower of tales and fallen over, or borrow their own forms in languages \u200b\u200bof contemporary visual arts. From this point of view, Angelo Petrucci is unique, an exclamation point launched into the pond of apathy that seems steeped in the fine arts painting. His works are illuminating interpretations of contemporary art is a universal subject, because inherent existence, faced with a technique to cross the same story. Let's try to understand why.
just start by stating that Petrucci paints with oil on canvas. The obvious academic materializes measured in an awareness of doing, since the first published work, the mid-seventies, the cultural references take the weight of bases in admixture with each other over which to support their visions, have never pre-interpretive schemes. The sign is material, the material is drawn ... and shape and content to reach since the beginning of the eighties made a balance. E 'then the search for Petrucci begins to substantiate elements of which remain to this day, though evolving.
body?: Life is made of the same material making up the universe. As part of the whole fragment is faceless, nameless, stolen identity and the time that produced it. Il corpo è parte dell'enigma irrisolto che sottende al mistero della vita e che coinvolge parimenti lo spazio che lo compenetra. "Madre Terra" potrebbe essere il nome destinato ad una di queste essenze impersonali sostanziate del colore della terra stessa. Res e humana sono dunque presenze imprescindibili nelle opere dell'autore, ma in questa riproposizione di molecole di universalità, nulla è concesso al caos disorganizzato: tutto, come in un rebus pronto ad auto-risolversi, ha una precisa ragione di essere in quel luogo, di quel tempo sospeso. Dunque da niente si può prescindere, lo "sfondo" spesso incombe in primo piano, condiziona l'essenza del corpo, pure l'ombra su di esso si fa densa consistenza.
Il complesso tema di forze è leggibile in virtù del delicato equilibrio visuale fra dimensioni, distanze, direzioni, curvature, volumi. Ciascun elemento possiede una forma appropriata in relazione a tutte le altre, fissando così un ordine definitivo nel quale tutte le forze componenti si contengono a vicenda, nessuna di esse può imporre alcun mutamento nell'interrelazione. Il gioco di forze si trova in quiete apparente. Ma il corpo rimane l'elemento propulsivo, vitale, che rompe la permanenza, che è motore di cambiamento; in questo senso, è la chiave di volta di queste composizioni.
Il corpo di Petrucci è sintetizzato, generato dall'espressività gestuale ed emozionale di se stesso. E' tridimensione dipinta, vitale sensualità potenziata from memory, that enhances the real, makes it symbolic. The body, therefore, as a symbolic form, requires knowledge that involves a voluntary approach, pursued research, slow penetration: that is practiced by the author, is repeated at each renewal the viewer. Arrived to discover one realizes that the body is part of a whole, came to detail, the vision is thus the same as the starting point. A change is experience. Understand the work, take it as a whole, is a function of a revelation, the immediacy of suspending the time dimension, the logical view should return the ground of the disclosure.
The approach to the knowledge needs of a medium, di un linguaggio interpretativo. Ecco quindi la presenza costante di grate, elementi geometrici, che spesso incombono sin dalla metà degli anni ottanta, dinnanzi alle presenze umane; costrizioni percettive, ma anche veicoli di comprensione, tentativi di porre una logica alla realtà, caotica e mutevole. L'uomo ha bisogno di regolarità, la impone alla propria visione perché è funzionale, dal punto di vista conoscitivo. Questa rigidità dietro la quale si cela il dis-ordine, ci pone dinnanzi ad un interrogativo che per ora sembra rimanere irrisolto, ovvero di quale sia il rapporto tra le due tendenze cosmiche, quella volta al disordine meccanico e quella volta all'ordine geometrico. Talvolta, colate di sangue informale spezzano le griglie, life is looming, overcomes the constraints that the reason for trying to impose itself. But Petrucci can always supreme mastery of the organization to impose its vision of structural scheme, the viewer is returned to a point of view, the 'observation is accompanied. Looking

Petrucci entire production to this point, affects the coherence of research in those directions above, or rather the processes seem to clarify and refine over time. Next to a proceeding from simplicity to complexity of the study, there is a progress from confusion to order in the awareness survey. In time, development, metamorphosis, has a multitude of dissimilar shares, but also an increase the precision with which these parts are marked to one another, and this is more than evident if we compare the recent production from 2008 to today, what with the predecessor.

Petrucci's paintings are depictions of puzzles to decipher, evaluate the realization of a vision of the reality, which requires the detail in the context of this metamorphic and we reveal the burning of a contemporary observer who has taken the 'unit of measure entropy of the world and set his inscrutable solution. In the meeting, the work entitled "Figure" (oil on canvas, 2008) perhaps, a partial solution: the grate there interpretative slips into the background.
Nella fusione con l'altro sopiscono le tensioni interpretative, assecondare placidamente il ciclo naturale rimane per ora l'unica soluzione.

e.g./ luglio 2010

What Causes Broken Capillaries On Face

SoWeART! - Free Review of Visual Arts by ELISIRart

“SIAMO ARTE, non lo sappiamo perché presi troppo spesso a criticare, giudicare, condannare, perché non sappiamo vedere gli altri come una parte di noi...siamo arte, quasi sempre dimenticata in cantine polverose...” m.l.

L'arte contemporanea è presente immanente, è vita afferrata e trattenuta al volo nell'istante del suo passaggio, ci si diverte a vederla perché no one knows how it will end. For those accustomed to the art of the time concluded the meeting with this is a vertigo, a delusion of time, which prompts the most unexpected reactions, because it escapes the "human need to categorize the thought of reducing it by preconceived known . Annoyance, disgust, disappointment, anger, pleasure, emotion, hilarity: all contemporary art is a significant stimulator of conscience.
Art is the red blood in the veins of world history. It 'the same essential core of which is imbued with the logo of this exhibition. There is no society without art, because there is no collective unconscious that can do without the companies that neglect, the tread, which are under the illusion to the contrary, are intended to bleed to death. Art is not a god, but a very human, earthly. To live, you do not need initiation rites and even priests. We serve ourselves, our awareness of being men of the present. Who despises, regretting the past, does not include those who also speak the undisputed masterpieces of their present. Regret the art of the past is to deny the present and give to the future. It means giving up the fuel, free of progress and civilization.
Contemporary Art WE then: SoWeArt! Are we, as we can see in the mirror of this, sometimes it's hard to support the look, but neglect to look remains a missed opportunity. Art is a necessary expression of the reality of the world and attempt to understand it, is communication. That is why this review, which begins here, you may ideally never-ending, since when this will never end. E 'imagined and designed with four eyes, or so, but we hope to be seen with many different views, how many will be visitors.
or not you share the vision that will emerge from this meeting, Stroll around in this white space by concentrating the mind, slow movements and do not miss the bustling energy that emanates from the relationship alive between the place where art is born is the place in which art is shown. The transition has not been in vain if you are able to think with your head and enjoy the art knows that the more excited. Emotions and opinions are never the truth, but leave a trail. Welcome to
SoWeArt! Free review of Visual Arts by ELISIRart / g

The participating artists: Roberta
Demeglio - Edith demroby@hotmail.it Dzieduszycka - edith@mclink.it Emanuela Fera - Tito emafera@tiscalinet.it Gargamel - tito.gargamelli @ gmail . com
Gianluca Garrapa - Maria Listur g.garrapa @ libero.it - \u200b\u200bmaria.maria @ tiscalinet.it Elizabeth Losi - Lamberto www.incisionielisabettalosi.com Melina - www.lambertomelina.com
Mauro Pallotta - maupal2000@yahoo.it Marco Severini - www.marcoseverini.com Emanuele Sgarbi - www.emanuelesgarbifotografo.com Caterina Vitelli - www.caterinavit. Com

Endometriosis Awarenesstoronto

CIAAAO igloo party hard!


igloo CIAA
Part I on February 5 @ _ igloo (the usual place) h. 22:00
Part II _ @ Ekidna February 13 (the usual Ekidna) h. 22:00

___________________________________________________________

Summary of the previous episode:

Some time ago I had planned Sollo and vocabulary essential for bar talk or musicians - improbably similar types. The vocabulary consisted of three words, which - according to our own - would be enough to weave and carry out any kind of discussion.
The three words were:
1. CIAA (both as a greeting, and as "Leave it to stay '")
2. 'n fact
3. Fear

So the first episode dedicated to Fear was made. Now it's up to the second word. Do you have a 50% chance of guessing. The title of this message can help you. That's right: the second word is chosen CIAA .
like:

- I was wrong to do the washing machine
- CIAA
- Now I have all the pink underwear
- CIAA

- Last night I had a plots
- CIAA
- Yes, but it was a process
- CIAA

Things like that, in fact.
And since we are the grassroots cultural agitators, we will apply a news to be left stunned. With high penalty
cabal, the second part of the trilogy is divided into two parts.
And this is the first story in two episodes of the igloo. Ovate, friends, ovate.
The first part takes place Friday, February 5 from 22:00 igloo. And he sees the field:

1. Michele Bomb (VR) - http://www.myspace.com/bombatomica
2. Thunder bomber (MN) - http://www.myspace.com/thunderbomber
3. Kelvin (PD) - http://www.myspace.com/kelvin667
4. Valerian Swing (resident) - http://www.myspace.com/valerianswing

The second part is held instead on February 13 from 22:00 all'Ekidna, who lives in San Martino, who is on the river Secchia, through the common Carpi all at no more than 24 km dall'iGloo. It takes all'Ekidna thanks to the collaboration of the brave warrior Gnappo, which is one I respect a lot because it always responds to email within 8 minutes of sending. There you will find:

1. Laser Geyser (BO) - http://www.myspace.com/lasergeyser
2. Monsieur Gustavo Biscotti (MN) - http://www.myspace.com/monsieurgb
3. Gazebo Penguins (Correggio / Zocca) - http://www.myspace.com/gazebopenguins
4. Nicker Hill Orchestra (PD / MN / MO) - http://www.myspace.com/nickerhillorchestra

I get bored a lot to write the kind of bands playing, so go listen to yourself and decide. You assured us € 5 toll, and we can guarantee an undisputed amount of wood, about 80 pedals (except those of the battery), more than 30 people playing (except for engineers), erbazzone on both occasions, beer at low prices, a milk churn in the sizzling heat of igneous parterre in front, a priceless pat on the shoulder to individuals participating in both evenings, joie de vivre and a baganana scunsubio fear. CIAA.

Notes:
- the igloo is small. In winter take up to 80 people. 100 Even if insiders love the rub. So if you arrive there is no place ... fat. But outside there is a milk churn. And maybe even a fungus escapes those sburi. We igloo, to make the igloo non ci guadagniamo una mazza eh, giusto per non dimenticarlo.
- l’Ekidna si trova in via Livorno 9, San Martino sul Secchia, 41012 Carpi (Modena). A me GoogleMaps questo San Martino sul Secchia non lo dà. Però se mettete San Martino + Carpi lo becca.
Se ve lo becca potete dirmi: ‘nfatti.

iGloo
www.myspace.com/igloocollective
igloocollective@gmail.com / capra@gazebopenguins.com
3405702119 - 3395211519

Ekidna
www.myspace.com/ekidnaorg
info@ekidna.org

Ciaaaao

How To Make Gps Work Iphone Lebanon

Postcards from the June 20

"Cemento armato.Niente cartoline per i giapponesi, niente monumenti, niente chiese antiche, niente Colosseo. solo cemento armato.Da Casalbruciato, a Pietralata, poi scendendo giù per la Tiburtina, fino a San Basilio; poi da nord, verso Fidene e Primaporta. La vera Roma è questa..."