Tiffany Towers Stream

Paolo Minelli
JUST MARILYN. tribute to Marilyn Monroe

by ELISIRart


Gallery RAISE. Via the first princess.
Rome on November 26. December 8, 2010

opening Friday, November 26, 19:00


http://www.paolaminello.it/
http://www.elisirart.blogspot.com/

"There is a space outside of time thinking of a historicizing in which things, people, events are estranged from their meaning can result. There is a dimension in which signs and gestures take on meanings autonomous unpredictable, so abhorred by the dominant ideological patterns which, by definition, require meanings recognizable. There is, in other words, a private and spiritual dimension of art that escapes predetermined guesses without losing any of its constituent dignity. E 'in Show from 26 November to 8 December in Rome a statement of research "Homage to Marilyn Monroe" by Paola Minello.
The sign of Marilyn art belongs to the unconscious in artistic culture of the pseudo mass, which brings us back to a time machine alienating the 60's Pop Art, collage dada to the components present in the first manifestations of this. And again, the dynamics of the signs background conjures up the informal gesture. But Paul Minello is far away from these noises. The events are not made of earthly form only in the sense mechanistic. Paola
That is not the icon Marilyn reported in commercial art, it is the essence that remains after these overcrowded breeding operations, a more emotional way of a clear sense of femininity. These visual signs are intimate, not collective. Personal Art, you might say. Removed pulses to record a consumer society, placated critics charge or commitment to change, everything remains the "inside" to be investigated. The mix of Paolo Minelli is induced by inner motivations. The background is not decoration, the demiurge who creates ritual is one example: it is emotional connotation of the icon, the features, enhances a well-known expression, like his shadow remote, a fate again to confirm him. There is first of Marilyn, as the context is first of all, agent of the subject, a form of thought is not in play a scale, the movement of the sign is born with the body, but only after you know. These icons are at the center of a universe in place in evolution, that was waiting. Quell 'universe speaks of them, almost expressionistic way. The figure is a sign that distorts the impression he becomes the protagonist: these are the accents that make the difference. The game research of the subject is objectified is astonishing feature of the work of Paola, challenge the viewer and signature of the author. You get lost in his own universe, but only to find himself. "
g
Paola Minello (www.paolaminello.it) è prima di tutto musicista. Nasce a Roma, frequenta il conservatorio e da allora sono tante le esperienze artistiche nel settore, e tutte di alto livello: musical, spettacoli e collaborazioni con celebri direttori d'orchestra e artisti internazionali.
Da qualche anno c'è anche la pittura, a fianco della musica. Il suo sguardo in arte è accompagnato per un certo periodo dalla mediazione del compagno, indiscusso esponente dell'arte contemporanea. Ma Paola inizia a dipingere e cammina da sola. Nel Marzo 2008, a Cagliari, la prima personale “Infinito Pop”. Da allora, la sua strada d'autore è tutta in divenire.

Laboratory 1 Diffusion And Osmosis Answers

KOSAKAOS . dis harmonies in art

collettiva di arti visive

a cura di ELISIRart
19 novembre . 19 dicembre 2010
FONDERIA DELLE ARTI . Via Assisi 31 . ROMA

INAUGURAZIONE VENERDI' 19 NOVEMBRE, ORE 18.30
ORE 20.00 : "DEMENTIA" . performance musicale di JOHN B. ARNOLD


Dal catalogo della Mostra: "...Il tempo scorre in una sola direzione, in avanti. L'esperienza della realtà è accompagnata da un segno comune: la nostra coscienza registra in continuazione la variazione di energia che avviene nel mondo attorno a noi. Vediamo il nostro corpo invecchiare, la polvere accumularsi, gli altri morire e le braci roventi diventare cenere fredda. There is harmony of this becoming. But the century old mindset that we persist to wear continues to give us the illusion that the human dimension is a process free from the laws of nature, the earthly history as a passage from disorder to a perfect presentation made on future orders. The perfection of the "form" is still a substantial value, yet something does not: the world is falling apart and the efforts to press into the reality makes them obsolete ideological trabboccare containers of waste as a reaction, we are in and we continue to press. It would be enough to lift the veil surrounding the mystical anthropocentric thinking to realize that any reaction that concerns us is the transformation of the natural world. When the whole world begins to crack and crumble, in the case of reflecting on how it was conceived and organized then, because therein lies the core of understanding. In this sense the chaos of today is fruitful, it needs to expand because of the failure of 'Western man order deemed to have been unavoidable, as the gears of a lethal machine. Art has long been accepted, perhaps first of all, the situation and tried, as his vocation, to give it a shape, an order of interpretation. The theme of the exhibition is the artists' reaction to provocation in front of the case, dell'indistinto, likely, the wide range of values, the reaction of contemporary sensibility in response to suggestions raised by the scientific, mathematical, philosophical, preceded by a vision of a human world that seems to burlesque design its end. You do not want to explain anything here, because accepting and trying to dominate the ambiguity of our times do not mean to imprison an order that is foreign, rather than reiterate and illustrate the need to develop an awareness and help in this regard, can come from art. Those who communicate the results to follow are ways to see and treat a human universe, interior and social, in which the traditional patterns were shattered, while new opportunities are emerging with difficulty that call into play the relationship, not reject them, the assumptions of past cultures. From this point of view, in the following pages we find more statements about our relationships in life that can test any speculation. Guess the reality is a way to understand it. As a mirror of this, art can still help the world, after all, is going towards something ... "eg/11.2010

Does Fuze Slenderize Work

PRESS


KOSAKAOS. dis harmonies in art


collective visual arts

ELISIRart
by November 19.
December 19, 2010 ARTS FOUNDRY. Via Assisi 31. ROME

OPENING FRIDAY 'November 19,
18.30 20.00: "Dementia". musical performance by John B. ARNOLD


GLIARTISTI

Fernanda Andrea Cabello / Bernabei Filippo / Paul Buzi / Daniele Camaioni /
Frank Ciavarella / Giulio De Mitri / Giacomo di Castri /
Edith Dzieduszycka / Marco Filippozzi / Luigi Filograno / Annalisa Guerri /
Lanni Franca / Daniela Leghissa / Ruggero Maggi / Nani Marcucci Pinoli /
Michele Pisicchio / Andy Salzman / Maria Savino / Sergio Trevisan /
Barbara Vistarini


Catalogo disponibile in Mostra

http://www.fonderiadellearti.com/
http://www.elisirart.blogspot.com/

L A M O S T R A
Il Caos globalizzato, connotazione dell'oggi, segna anche i linguaggi dell'arte. Impossibile prescinderne,
per comprenderli: la disamornia del nostro tempo e l'arte, contenitore del presente, che la rivela in trasparenza.
The discontinuity of the phenomena has definitely put in crisis the illusion of a 'complete and unified image of reality. Along with traditional security lapse and vibrate fruitful centrifugal forces. The field of interpretive possibilities is endless, the proliferation of conflicts and oppositions are the result: a 'diversity that nourishes our civilization as precious value, because all the facts of global culture lead us to conceive and therefore see the world in the category opportunities. Thus, the grids of interpretation with which it is customary to reverse the arts, and their context, are partially lost: flock reviews of denial to expressions that can not be understood by applying historicized ideology, or it is limited to definitions that frame, without understanding. But there is really the core of understanding? In this disorder due under the grid structures of thought that belong to times gone? Now we know that Chaos is not indecipherable, is the secret order underlying everything that does not appear because it is beyond the visible, cause and effect of universal and individual reasons, as a form of absolute, timeless is immanent.
The exhibition will attempt to illustrate the harmony underlying any external dis.armonia and, conversely, that the universe contains any apparent calm, in the space of expression of each author and the interaction of form-content-language, of artistic, diverse and distant, but intrinsic to the present. Opportunity to reflect on a theme in art and its spiritual and physical life of each and everyone, no longer ignore.


LALOCATION
The Foundry Arts (www.fonderiadellearti.com), which hosted the event, is the best container possible. Building housed in an old metal foundry, renovated and transformed into a multipurpose cultural and artistic education. Interactive space, is illustrative of the contemporary art itself. The artistic project of Maurizio Boco and Giampiero Ingrassia, arose with the aim of concentrating on the same edge music, theater, and visual arts, has become a reference point for culture and not just the Capitoline. Serie trade publications, newspapers and television, critics and observers, have already committed widespread recognition.


LAPERFORMANCEMUSICALE
"dementia". JOHN B. ARNOLD. Battery

John B. Arnold is a musician of international standing. Born in New York City, worked for years as a drummer, programmer and composer, now in his fifth solo album.
grandson of the great American composer Hoagy Carmichael, John has several collaborations and recordings with the names most 'American jazz greats including: Greg Osby, John Abercrombie, John Pattitucci, Larry Goldings, David Binney, to name a few.
has published records and electronic projects in collaboration with musicians of the supreme level, participated in international festivals, while continuing to teach in Rome, New York and Berlin. Here
propose the project, alone, insane. With the use of keyboards and thousands of loops created by him, the performance is based on the use of television and advertising themes of the era, but picked up and distorted to the point of no recognition. These sequencers and drum machine, will be the basis for the live performance .. Sound waves, twisted voices, "noise" abstract and electronic rhythms, will accompany the theme of the exhibition in the territory of the best contemporary music.