COMUNICATO STAMPA
ANGELO PETRUCCI
“L'intervallo ritrovato”
Galleria RILIEVI. via the first princess.
Rome from September 28 to October 12, 2010
on display in Rome an extract of the last two years of production Angelo Petrucci, author Tuscan academic training, which made a distinctive human intellectual inquiry and the reason of a coherent decades of artistic exploration, but never equal to itself, the ancient language of painting and the universal theme of the body in space, in the vision of a contemporary artist who is not afraid of the history and technique of a doorway.
From the catalog: "... The body?: Life is made of the same material making up the universe. As part of the whole fragment is faceless, nameless, subtracted identity and time that produced it. The body is part of the riddle behind the unsolved mystery of life and that also involves the space that permeates. (...) Res humana and attendance are essential in the author's works, but in this revival of molecules of universality is given nothing to chance: everything, like a puzzle ready to self-resolve, it has a reason to be in that place , of that time suspended. (...) The whole theme of forces is readable by virtue of the delicate balance between visual dimensions, distances, directions, curvatures, volumes. Each element has an appropriate form with respect to each other, thereby providing a final order in which tutte le forze componenti si contengono a vicenda, nessuna di esse può imporre alcun mutamento nell'interrelazione. Il gioco di forze si trova in quiete apparente. Ma il corpo rimane l'elemento propulsivo, vitale, che rompe la permanenza, che è motore di cambiamento; in questo senso, è la chiave di volta di queste composizioni. (…) Il corpo di Petrucci è sintetizzato, generato dall'espressività gestuale ed emozionale di sè stesso. E' tridimensione dipinta, vitale sensualità potenziata dalla memoria, che sublima il reale, lo rende simbolico. Il corpo, dunque, come forma simbolica, richiede una conoscenza che implica volontario avvicinamento, ricerca perseguita, lenta penetrazione: è quella praticata by the author, is repeated at each renewal the viewer. (...) Looking at the entire production of Petrucci, affects the coherence of research, indeed seem to clarify and refine the process over time. Next to a proceeding from simplicity to complexity of the study, there is a progress from confusion to order in the awareness survey. (...) Petrucci's paintings are depictions of puzzles to decipher, evaluate the realization of a vision of the reality, which requires the detail in the context of this metamorphic and we reveal the burning of a contemporary observer who took the unit of entropy of the world and all its inscrutable solution ... "/ g in July 2010
ANGELO PETRUCCI
“L'intervallo ritrovato”
Galleria RILIEVI. via the first princess.
Rome from September 28 to October 12, 2010
on display in Rome an extract of the last two years of production Angelo Petrucci, author Tuscan academic training, which made a distinctive human intellectual inquiry and the reason of a coherent decades of artistic exploration, but never equal to itself, the ancient language of painting and the universal theme of the body in space, in the vision of a contemporary artist who is not afraid of the history and technique of a doorway.
From the catalog: "... The body?: Life is made of the same material making up the universe. As part of the whole fragment is faceless, nameless, subtracted identity and time that produced it. The body is part of the riddle behind the unsolved mystery of life and that also involves the space that permeates. (...) Res humana and attendance are essential in the author's works, but in this revival of molecules of universality is given nothing to chance: everything, like a puzzle ready to self-resolve, it has a reason to be in that place , of that time suspended. (...) The whole theme of forces is readable by virtue of the delicate balance between visual dimensions, distances, directions, curvatures, volumes. Each element has an appropriate form with respect to each other, thereby providing a final order in which tutte le forze componenti si contengono a vicenda, nessuna di esse può imporre alcun mutamento nell'interrelazione. Il gioco di forze si trova in quiete apparente. Ma il corpo rimane l'elemento propulsivo, vitale, che rompe la permanenza, che è motore di cambiamento; in questo senso, è la chiave di volta di queste composizioni. (…) Il corpo di Petrucci è sintetizzato, generato dall'espressività gestuale ed emozionale di sè stesso. E' tridimensione dipinta, vitale sensualità potenziata dalla memoria, che sublima il reale, lo rende simbolico. Il corpo, dunque, come forma simbolica, richiede una conoscenza che implica volontario avvicinamento, ricerca perseguita, lenta penetrazione: è quella praticata by the author, is repeated at each renewal the viewer. (...) Looking at the entire production of Petrucci, affects the coherence of research, indeed seem to clarify and refine the process over time. Next to a proceeding from simplicity to complexity of the study, there is a progress from confusion to order in the awareness survey. (...) Petrucci's paintings are depictions of puzzles to decipher, evaluate the realization of a vision of the reality, which requires the detail in the context of this metamorphic and we reveal the burning of a contemporary observer who took the unit of entropy of the world and all its inscrutable solution ... "/ g in July 2010
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